{"id":6629,"date":"2025-07-16T18:25:06","date_gmt":"2025-07-16T15:25:06","guid":{"rendered":"https:\/\/klasikdusunceokulu.com\/?page_id=6629"},"modified":"2025-07-16T18:25:06","modified_gmt":"2025-07-16T15:25:06","slug":"kursat-demirci-gilgamis-okumalari-45-seminer-ozeti","status":"publish","type":"page","link":"https:\/\/klasikdusunceokulu.com\/index.php\/kursat-demirci-gilgamis-okumalari-45-seminer-ozeti\/","title":{"rendered":"K\u00dcR\u015eAT DEM\u0130RC\u0130: GILGAMI\u015e OKUMALARI 45. SEM\u0130NER \u00d6ZET\u0130"},"content":{"rendered":"<p><span style=\"color: #333333;\"><strong>K\u00dcR\u015eAT DEM\u0130RC\u0130: GILGAMI\u015e OKUMALARI 45. SEM\u0130NER \u00d6ZET\u0130<\/strong><\/span><\/p>\n<p><span style=\"color: #333333;\"><strong>Ana Temalar<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color: #333333;\"><strong>Anlat\u0131 ve Zaman\u0131n Yeniden \u00dcretimi<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">G\u0131lgam\u0131\u015f\u2019\u0131n hik\u00e2yesi, ge\u00e7mi\u015fin deneyimlerinin yeniden \u00fcretilmesi yoluyla zaman\u0131n s\u00fcreklili\u011fini sa\u011flar. Bu anlat\u0131, hem bireysel haf\u0131zay\u0131 hem de toplumsal belle\u011fi kurar.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>Kutsall\u0131k ve Be\u015fer\u00ee Tecr\u00fcbe<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">G\u0131lgam\u0131\u015f anlat\u0131s\u0131nda kutsall\u0131kla be\u015fer\u00ee olan\u0131n i\u00e7 i\u00e7e ge\u00e7ti\u011fi bir zemin vard\u0131r. \u0130nsan, s\u0131n\u0131rlar\u0131yla y\u00fczle\u015fti\u011fi \u00f6l\u00e7\u00fcde kutsal olan\u0131 idrak eder.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>\u0130nsan-Do\u011fa \u0130li\u015fkisi<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">G\u0131lgam\u0131\u015f\u2019\u0131n tabiatla kurdu\u011fu ili\u015fki, insan\u0131n do\u011faya h\u00fckmetme arzusunu ve bu arzunun felsefi sonu\u00e7lar\u0131n\u0131 yans\u0131t\u0131r. Tabiat, ayn\u0131 zamanda insan\u0131n s\u0131n\u0131rlar\u0131n\u0131 hat\u0131rlatan bir ayna i\u015flevi g\u00f6r\u00fcr.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>S\u00f6z, Yaz\u0131 ve Kal\u0131c\u0131l\u0131k<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">Anlat\u0131n\u0131n s\u00f6zl\u00fc ve yaz\u0131l\u0131 formda aktar\u0131lmas\u0131, kal\u0131c\u0131l\u0131k ve anlam s\u00fcreklili\u011fi a\u00e7\u0131s\u0131ndan \u00f6nem ta\u015f\u0131r. Yaz\u0131, tecr\u00fcbenin zamanla sabitlenmi\u015f bir izidir.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>Bilgelik Aray\u0131\u015f\u0131<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">G\u0131lgam\u0131\u015f\u2019\u0131n yolculu\u011fu, g\u00fcc\u00fcn de\u011fil, bilginin ve hikmetin pe\u015finden ko\u015fan bir insan\u0131n \u00f6yk\u00fcs\u00fcne d\u00f6n\u00fc\u015f\u00fcr. Bu aray\u0131\u015f, insana dair varolu\u015fsal bir \u00e7\u00f6z\u00fcmleme sunar.<\/span><\/li>\n<\/ol>\n<p><span style=\"color: #333333;\"><strong>Sonu\u00e7<\/strong><\/span><\/p>\n<p><span style=\"color: #333333;\">\u00a0 45. seminerde G\u0131lgam\u0131\u015f anlat\u0131s\u0131, zaman, kutsall\u0131k, do\u011fa, s\u00f6z ve bilgelik gibi temalar etraf\u0131nda insan\u0131n varl\u0131k tecr\u00fcbesine dair kadim ve \u00e7ok katmanl\u0131 bir sorgulama olarak ele al\u0131n\u0131r.<\/span><\/p>\n<p><span style=\"color: #333333;\"><strong>Main Themes<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color: #333333;\"><strong>Narrative and the Reproduction of Time<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">The story of Gilgamesh functions as a medium through which past experiences are revived and continuity of time is maintained. The narrative constructs both personal and collective memory.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>The Sacred and Human Experience<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">The tale blends the sacred with the human. It suggests that only by confronting one\u2019s limitations can one come into contact with the sacred dimension of existence.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>Human-Nature Relationship<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">Gilgamesh\u2019s engagement with nature reflects humanity\u2019s desire to dominate the natural world. Yet nature simultaneously acts as a mirror reminding humans of their limits.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>Speech, Writing, and Permanence<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">The transmission of the story through speech and writing secures the continuity and preservation of meaning. Writing becomes the fixed trace of experience across time.<\/span><\/li>\n<li><span style=\"color: #333333;\"><strong>The Quest for Wisdom<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">Gilgamesh\u2019s journey evolves from a pursuit of power into a search for knowledge and wisdom. This quest offers a deeply existential exploration of what it means to be human.<\/span><\/li>\n<\/ol>\n<p><span style=\"color: #333333;\"><strong>Conclusion<\/strong><\/span><\/p>\n<p><span style=\"color: #333333;\">Seminar 45 interprets the Gilgamesh epic as a layered philosophical inquiry into time, the sacred, nature, language, and wisdom\u2014framing the human experience through an ancient and symbolic narrative.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>K\u00dcR\u015eAT DEM\u0130RC\u0130: GILGAMI\u015e OKUMALARI 45. SEM\u0130NER \u00d6ZET\u0130 Ana Temalar Anlat\u0131 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6629","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/6629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/comments?post=6629"}],"version-history":[{"count":1,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/6629\/revisions"}],"predecessor-version":[{"id":6630,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/6629\/revisions\/6630"}],"wp:attachment":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/media?parent=6629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}