{"id":7600,"date":"2025-11-16T20:49:18","date_gmt":"2025-11-16T17:49:18","guid":{"rendered":"https:\/\/klasikdusunceokulu.com\/?page_id=7600"},"modified":"2025-11-16T20:49:18","modified_gmt":"2025-11-16T17:49:18","slug":"oguz-haslakoglu-herakleitos-ve-parmenides-atolyesi-18-seminer-ozeti","status":"publish","type":"page","link":"https:\/\/klasikdusunceokulu.com\/index.php\/oguz-haslakoglu-herakleitos-ve-parmenides-atolyesi-18-seminer-ozeti\/","title":{"rendered":"O\u011eUZ HA\u015eLAKO\u011eLU, HERAKLE\u0130TOS VE PARMEN\u0130DES AT\u00d6LYES\u0130 18. SEM\u0130NER \u00d6ZET\u0130"},"content":{"rendered":"<p><span style=\"color: #000000;\"><strong>O\u011eUZ HA\u015eLAKO\u011eLU, HERAKLE\u0130TOS VE PARMEN\u0130DES AT\u00d6LYES\u0130 18. SEM\u0130NER \u00d6ZET\u0130<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Seminerin Amac\u0131<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">On sekizinci seminer, Parmenides\u2019in <em>duo morphos<\/em> yani \u201c\u00e7ift bi\u00e7imli varl\u0131k\u201d anlay\u0131\u015f\u0131n\u0131 temel alarak, d\u00fc\u015f\u00fcnme, bi\u00e7im ve dil aras\u0131ndaki ili\u015fkiyi derinlemesine tart\u0131\u015f\u0131r. O\u011fuz Ha\u015flako\u011flu bu seminerde, <em>morfos<\/em>, <em>gnomas<\/em> ve <em>onomazeyn<\/em> kavramlar\u0131 \u00fczerinden, adland\u0131rman\u0131n (isim vermenin) hakikatle ili\u015fkisini felsefi d\u00fczlemde a\u00e7ar. Seminerin amac\u0131, varl\u0131\u011f\u0131n bi\u00e7im kazan\u0131\u015f\u0131n\u0131 yaln\u0131zca duyusal bir form de\u011fil, d\u00fc\u015f\u00fcncenin kendi i\u00e7 s\u0131n\u0131rland\u0131rma edimi olarak anlamakt\u0131r. B\u00f6ylece Parmenides\u2019in hakikat \u00f6\u011fretisi, Herakleitos\u2019un de\u011fi\u015fim d\u00fc\u015f\u00fcncesiyle birlikte yeniden de\u011ferlendirilir.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Ana Temalar<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color: #000000;\"><strong> Morfos, Gnomas ve Onomazeyn: Bi\u00e7im, Bilgi ve Adland\u0131rma<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Seminerin merkezinde, bu \u00fc\u00e7 kavram\u0131n olu\u015fturdu\u011fu ontolojik \u00fc\u00e7leme vard\u0131r.<\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\"><em>Morfos<\/em> (bi\u00e7im), varl\u0131\u011f\u0131n g\u00f6r\u00fcn\u00fcr hale geli\u015fidir.<\/span><\/li>\n<li><span style=\"color: #000000;\"><em>Gnomas<\/em> (bilgi), bi\u00e7imin idrak edilmesidir.<\/span><\/li>\n<li><span style=\"color: #000000;\"><em>Onomazeyn<\/em> (adland\u0131rma), bi\u00e7imlenmi\u015f bilginin dile ta\u015f\u0131nmas\u0131d\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Ha\u015flako\u011flu\u2019na g\u00f6re bu \u00fc\u00e7\u00fc birbirinden ayr\u0131 d\u00fc\u015f\u00fcn\u00fclemez: bi\u00e7im, bilgi ve dil ayn\u0131 hakikatin farkl\u0131 tezah\u00fcrleridir.<\/span><\/li>\n<\/ul>\n<ol start=\"2\">\n<li><span style=\"color: #000000;\"><strong> \u00c7ift Bi\u00e7imlilik: Duo Morphos ve Yan\u0131lsama<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Parmenides\u2019in \u201ciki bi\u00e7imli varl\u0131k\u201d \u00f6\u011fretisi, varl\u0131k\u2013yokluk, gece\u2013g\u00fcnd\u00fcz, \u0131\u015f\u0131k\u2013karanl\u0131k gibi z\u0131tl\u0131klar \u00fczerinden a\u00e7\u0131klan\u0131r. Bu ikilik, d\u00fc\u015f\u00fcncenin kendi i\u00e7inde yaratt\u0131\u011f\u0131 bir yan\u0131lsamad\u0131r. Ha\u015flako\u011flu\u2019na g\u00f6re \u201c\u00e7ift bi\u00e7imlilik\u201d, d\u00fc\u015f\u00fcnmenin b\u00f6l\u00fcnmesinin ifadesidir. Hakikat, bu ikili\u011fin \u00f6tesinde, birli\u011fin sessizli\u011finde bulunur.<\/span><\/p>\n<ol start=\"3\">\n<li><span style=\"color: #000000;\"><strong> S\u0131n\u0131r ve Bi\u00e7im: Peras ve Morfos<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Her bi\u00e7im bir s\u0131n\u0131rd\u0131r. Parmenides\u2019te <em>peras<\/em> (s\u0131n\u0131r) varl\u0131\u011f\u0131n tan\u0131mlanma zorunlulu\u011funu, <em>morfos<\/em> ise bu s\u0131n\u0131r\u0131n g\u00f6r\u00fcn\u00fc\u015f\u00fcn\u00fc temsil eder. Bu nedenle d\u00fc\u015f\u00fcnmek, s\u0131n\u0131r koymakt\u0131r; idrak, s\u0131n\u0131rlama eylemiyle birlikte olu\u015fur. Ha\u015flako\u011flu bu durumu \u201cd\u00fc\u015f\u00fcncenin kendi mek\u00e2n\u0131n\u0131 \u00e7izmesi\u201d olarak tan\u0131mlar.<\/span><\/p>\n<ol start=\"4\">\n<li><span style=\"color: #000000;\"><strong> Doxa ve Aletheia: G\u00f6r\u00fcn\u00fc\u015f ve Hakikat<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Seminerde <em>doxa<\/em> (san\u0131) ile <em>aletheia<\/em> (hakikat) aras\u0131ndaki fark yeniden ele al\u0131n\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Doxa, bi\u00e7imlerin \u00e7oklu\u011funda gezinir; aletheia ise birli\u011fin a\u00e7\u0131kl\u0131\u011f\u0131nda kal\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Parmenides\u2019e g\u00f6re duyular <em>doxa<\/em>\u2019n\u0131n alan\u0131d\u0131r, ak\u0131l ise <em>aletheia<\/em>\u2019n\u0131n. Ha\u015flako\u011flu, bu ayr\u0131m\u0131 yaln\u0131zca epistemolojik de\u011fil, ontolojik bir k\u0131r\u0131lma olarak yorumlar: <em>\u201cBilgi, g\u00f6r\u00fcn\u00fc\u015f\u00fc de\u011fil, varl\u0131\u011f\u0131n kendisini kavramakt\u0131r.\u201d<\/em><\/span><\/p>\n<ol start=\"5\">\n<li><span style=\"color: #000000;\"><strong> Herakleitos ve Gerilimdeki Birlik<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Herakleitos\u2019un \u201cgerilimdeki kar\u015f\u0131tl\u0131k\u201d \u00f6\u011fretisi, Parmenides\u2019in \u201c\u00e7ift bi\u00e7imlilik\u201d kavram\u0131yla kar\u015f\u0131la\u015ft\u0131r\u0131l\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Parmenides\u2019te z\u0131tl\u0131k d\u00fc\u015f\u00fcnceyi b\u00f6lerken, Herakleitos\u2019ta bu z\u0131tl\u0131k birlik \u00fcretir.<\/span><br \/>\n<span style=\"color: #000000;\">Ha\u015flako\u011flu bu fark\u0131 \u201csessiz birlik\u201d ile \u201cg\u00fcr\u00fclt\u00fcl\u00fc birlik\u201d aras\u0131ndaki fark olarak niteler: biri dura\u011fan, di\u011feri devingen; fakat her ikisi de ayn\u0131 hakikatin iki farkl\u0131 dili olarak anla\u015f\u0131l\u0131r.<\/span><\/p>\n<ol start=\"6\">\n<li><span style=\"color: #000000;\"><strong> Platon\u2019un Miras\u0131: Eidos ve Kora<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Seminerde Platon\u2019un <em>Timaeus<\/em> ve <em>Sofist<\/em> diyaloglar\u0131 \u00fczerinden Parmenides\u2019in miras\u0131 tart\u0131\u015f\u0131l\u0131r. <em>Eidos<\/em> (idea) Parmenides\u2019in <em>morfos<\/em> kavram\u0131n\u0131 yeniden \u015fekillendirirken, <em>kora<\/em> kavram\u0131 varl\u0131\u011f\u0131n bi\u00e7imlenme alan\u0131n\u0131 temsil eder. Bu b\u00f6l\u00fcmde Ha\u015flako\u011flu, Platon\u2019un felsefeyi Parmenides\u2019ten devrald\u0131\u011f\u0131, ancak \u201chareket\u201di yeniden felsefeye katt\u0131\u011f\u0131 d\u00fc\u015f\u00fcncesini geli\u015ftirir.<\/span><\/p>\n<ol start=\"7\">\n<li><span style=\"color: #000000;\"><strong> Varl\u0131\u011f\u0131n Dolulu\u011fu: Pleon<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\"><em>Pleon<\/em> kavram\u0131, Parmenides\u2019in \u201cvar olan doludur, bo\u015fluk yoktur\u201d \u00f6nermesinin a\u00e7\u0131klamas\u0131d\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Varl\u0131k b\u00fct\u00fcnd\u00fcr, b\u00f6l\u00fcnemez ve kendi i\u00e7inde doludur.<\/span><br \/>\n<span style=\"color: #000000;\">Ha\u015flako\u011flu, modern fizi\u011fin bo\u015fluk kavram\u0131na g\u00f6nderme yaparak, \u201cbo\u015fluk bile doludur\u201d ifadesiyle varl\u0131k d\u00fc\u015f\u00fcncesinin g\u00fcncelli\u011fini vurgular. Doluluk, sadece mek\u00e2nsal de\u011fil, d\u00fc\u015f\u00fcnsel bir b\u00fct\u00fcnl\u00fc\u011f\u00fc ifade eder.<\/span><\/p>\n<ol start=\"8\">\n<li><span style=\"color: #000000;\"><strong> Bilginin Etik Boyutu<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Seminerin sonunda bilginin yaln\u0131zca teorik de\u011fil, etik bir sorumluluk oldu\u011fu vurgulan\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Ger\u00e7ek bilgi, hakikate uygun ya\u015famakt\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Erdem, idrakin eylemdeki bi\u00e7imidir.<\/span><br \/>\n<span style=\"color: #000000;\">Ha\u015flako\u011flu\u2019nun ifadesiyle, <em>\u201cHakikati bilmek yetmez, ona g\u00f6re ya\u015famak gerekir.\u201d<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Sonu\u00e7<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">On sekizinci seminer, Parmenides\u2019in \u201c\u00e7ift bi\u00e7imli varl\u0131k\u201d \u00f6\u011fretisini, d\u00fc\u015f\u00fcncenin bi\u00e7imlenme s\u00fcreci olarak yorumlar. Ha\u015flako\u011flu\u2019na g\u00f6re varl\u0131k, s\u0131n\u0131r koyman\u0131n ve bi\u00e7im kazanman\u0131n kendisidir; d\u00fc\u015f\u00fcnmek, bu s\u0131n\u0131r\u0131n fark\u0131na varmakt\u0131r.<\/span><br \/>\n<span style=\"color: #000000;\">Herakleitos\u2019un de\u011fi\u015fim \u00f6\u011fretisiyle Parmenides\u2019in dura\u011fan varl\u0131k anlay\u0131\u015f\u0131 aras\u0131nda g\u00f6r\u00fcn\u00fcr bir kar\u015f\u0131tl\u0131k bulunsa da, ikisi de ayn\u0131 \u00f6zde\u015fli\u011fin iki ifadesidir:<\/span><br \/>\n<span style=\"color: #000000;\">Varl\u0131k birdir, d\u00fc\u015f\u00fcnce onun suretidir.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><strong>Purpose of the Seminar<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">The eighteenth seminar focuses on Parmenides\u2019 concept of <em>duo morphos<\/em> \u2014 the \u201ctwofold form\u201d \u2014 and its implications for the relation between thought, form, and language. O\u011fuz Ha\u015flako\u011flu explores how <em>morph\u0113<\/em>, <em>gn\u014dm\u0113<\/em>, and <em>onomazein<\/em> (form, knowledge, naming) constitute an indivisible triad. The aim is to show that being takes form not through perception but through the act of thinking itself \u2014 thought as self-limitation and self-disclosure.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Main Themes<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color: #000000;\"><strong> Form, Knowledge, and Naming<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\"><em>Morph\u0113<\/em> is manifestation, <em>gn\u014dm\u0113<\/em> is comprehension, <em>onomazein<\/em> is expression.<\/span><br \/>\n<span style=\"color: #000000;\">Together, they reveal the unity of being, knowing, and speaking. Form and knowledge are not representations of truth but its unfolding.<\/span><\/p>\n<ol start=\"2\">\n<li><span style=\"color: #000000;\"><strong> Dual Form and Illusion<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">The \u201ctwofold\u201d nature of being represents the division of thought. Light and darkness, being and non-being \u2014 all express the same ontological tension. Truth lies beyond this duality, in the stillness of unity.<\/span><\/p>\n<ol start=\"3\">\n<li><span style=\"color: #000000;\"><strong> Limit and Form<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Every form presupposes a limit. Thought is the act of setting this limit; perception becomes awareness only when it defines. To think is to draw the boundary of being.<\/span><\/p>\n<ol start=\"4\">\n<li><span style=\"color: #000000;\"><strong> Doxa and Aletheia<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Opinion (<em>doxa<\/em>) moves within multiplicity; truth (<em>aletheia<\/em>) abides in unity.<\/span><br \/>\n<span style=\"color: #000000;\">Parmenides\u2019 distinction is ontological: knowing truth means participating in being, not merely describing it.<\/span><\/p>\n<ol start=\"5\">\n<li><span style=\"color: #000000;\"><strong> Heraclitus\u2019 Dynamic Unity<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Heraclitus\u2019 doctrine of tension contrasts Parmenides\u2019 stillness, yet both reveal one reality. Where Parmenides sees division, Heraclitus finds harmony in opposition \u2014 the movement of unity.<\/span><\/p>\n<ol start=\"6\">\n<li><span style=\"color: #000000;\"><strong> Plato\u2019s Legacy<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">Plato transforms Parmenides\u2019 <em>morph\u0113<\/em> into <em>eidos<\/em>, grounding it in <em>kh\u014dra<\/em> \u2014 the receptacle of becoming. He thus reintroduces motion into ontology while preserving its unity.<\/span><\/p>\n<ol start=\"7\">\n<li><span style=\"color: #000000;\"><strong> Fullness of Being<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\"><em>Pleon<\/em> signifies the plenitude of existence \u2014 there is no void. Being is complete and indivisible. This fullness extends to thought itself: even absence is filled with being\u2019s presence.<\/span><\/p>\n<ol start=\"8\">\n<li><span style=\"color: #000000;\"><strong> Knowledge as Ethical Life<\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"color: #000000;\">True knowledge manifests in living according to truth. Wisdom is not knowing about being but existing within it. Thought attains its completion only in action.<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Conclusion<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">The eighteenth seminar reveals that form (<em>morph\u0113<\/em>) is both the boundary and expression of being.<\/span><br \/>\n<span style=\"color: #000000;\">To think is to give form; to live is to dwell within that form.<\/span><br \/>\n<span style=\"color: #000000;\">Ha\u015flako\u011flu concludes that the supposed opposition between Parmenides and Heraclitus dissolves in a higher unity:<\/span><br \/>\n<span style=\"color: #000000;\">Being is one, and thought is its reflection.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O\u011eUZ HA\u015eLAKO\u011eLU, HERAKLE\u0130TOS VE PARMEN\u0130DES AT\u00d6LYES\u0130 18. SEM\u0130NER \u00d6ZET\u0130 Seminerin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7600","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/7600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/comments?post=7600"}],"version-history":[{"count":1,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/7600\/revisions"}],"predecessor-version":[{"id":7601,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/7600\/revisions\/7601"}],"wp:attachment":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/media?parent=7600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}