{"id":8706,"date":"2025-12-01T22:34:38","date_gmt":"2025-12-01T19:34:38","guid":{"rendered":"https:\/\/klasikdusunceokulu.com\/?page_id=8706"},"modified":"2025-12-01T22:34:38","modified_gmt":"2025-12-01T19:34:38","slug":"mehmet-olmez-kok-turk-yazitlari-kul-tigin-okumalari-15-seminer-ozeti","status":"publish","type":"page","link":"https:\/\/klasikdusunceokulu.com\/index.php\/mehmet-olmez-kok-turk-yazitlari-kul-tigin-okumalari-15-seminer-ozeti\/","title":{"rendered":"MEHMET \u00d6LMEZ, K\u00d6K T\u00dcRK YAZITLARI: K\u00dcL T\u0130G\u0130N OKUMALARI 15. SEM\u0130NER \u00d6ZET\u0130"},"content":{"rendered":"

MEHMET \u00d6LMEZ, K\u00d6K T\u00dcRK YAZITLARI: K\u00dcL T\u0130G\u0130N OKUMALARI 15. SEM\u0130NER \u00d6ZET\u0130<\/strong><\/p>\n

Seminerin Amac\u0131<\/strong><\/p>\n

Bu seminerde K\u00fcl Tegin yaz\u0131t\u0131n\u0131n 32. sat\u0131rdan sonraki b\u00f6l\u00fcm\u00fc ayr\u0131nt\u0131l\u0131 bir filolojik \u00e7\u00f6z\u00fcmlemeyle ele al\u0131nmakta; Eski T\u00fcrk\u00e7ede say\u0131 sistemi, fiil yap\u0131lar\u0131, sava\u015f terminolojisi, z\u0131rh ve kaftan gibi asker\u00ee unsurlar, akrabal\u0131k terimleri, y\u00f6n ve yer adlar\u0131, \u00c7in ve So\u011fd etkileri, at donlar\u0131, m\u0131zrak ve silah isimleri, sald\u0131r\u0131 fiilleri, morfolojik eklerin tarihsel geli\u015fimi ve T\u00fcrk boylar\u0131na dair etnik adlar kapsaml\u0131 bi\u00e7imde de\u011ferlendirilmektedir.<\/p>\n

Ana Temalar<\/strong><\/p>\n

    \n
  1. An\u00e7olamak Fiili ve K\u00f6ken Tart\u0131\u015fmas\u0131<\/strong><\/li>\n<\/ol>\n

    An\u00e7olamak<\/em> fiilinin Tang d\u00f6nemi \u00c7incesine dayanan k\u00f6keni, Uygurca metinlerdeki bi\u00e7imleri ve an\u00e7olayu<\/em> ile kar\u0131\u015ft\u0131r\u0131lmamas\u0131 gerekti\u011fi a\u00e7\u0131klan\u0131r; fiilin \u201csunmak, takdim etmek\u201d anlam\u0131n\u0131n T\u00fcrk\u00e7e eklerle olu\u015fturulmu\u015f bir \u00c7in al\u0131nt\u0131s\u0131 oldu\u011fu ayr\u0131nt\u0131l\u0131 bi\u00e7imde de\u011ferlendirilir.<\/p>\n

      \n
    1. \u201cO Orduyu Orada Yok Ettik\u201d C\u00fcmlesi ve K\u0131\u015fmak\/K\u0131smak Tart\u0131\u015fmas\u0131<\/strong><\/li>\n<\/ol>\n

      Sava\u015f sahnesindeki yok k\u0131\u015fmak<\/em> fiili, kimi ara\u015ft\u0131rmac\u0131lar\u0131n k\u0131smak<\/em> olarak okumas\u0131 ve Eski T\u00fcrk\u00e7ede \u015e\u2013S ayr\u0131m\u0131 \u00fczerine tart\u0131\u015fmalar ba\u011flam\u0131nda yorumlan\u0131r; Olsuk anta yok k\u0131\u015ft\u0131m\u0131z<\/em> ifadesinin dilsel \u00e7\u00f6z\u00fcm\u00fc yap\u0131l\u0131r.<\/p>\n

        \n
      1. Eski T\u00fcrk Say\u0131 Sistemi ve 1.30 \u2192 21 Ya\u015f Okunu\u015fu<\/strong><\/li>\n<\/ol>\n

        1.30 gibi bile\u015fik say\u0131lar\u0131n 21 anlam\u0131na geli\u015fi, artuk<\/em> ifadesi g\u00f6r\u00fclmedi\u011fi s\u00fcrece onluk eksiltmeli sistemin kullan\u0131lma bi\u00e7imi, farkl\u0131 yaz\u0131tlardaki de\u011fi\u015fkenlikler ve K\u00fcl Tegin\u2019in 21 ya\u015f\u0131ndaki seferi bu say\u0131 sistemi i\u00e7inde a\u00e7\u0131klan\u0131r.<\/p>\n

          \n
        1. \u00c7a\u00e7asan\u2019e Kar\u015f\u0131 Sava\u015f ve Fiillerin Yap\u0131s\u0131<\/strong><\/li>\n<\/ol>\n

          \u00c7a\u00e7asa’n\u0131nke s\u00fcm\u00fc\u015ft\u00fcm\u00fcz<\/em> c\u00fcmlesindeki s\u00fcm\u00fc\u015fmek<\/em> fiili \u00fczerinden sava\u015f terminolojisi, datif-lokatif eklerinin g\u00f6r\u00fcn\u00fc\u015f\u00fc ve gen\u00e7 K\u00fcl Tegin\u2019in ilk sefer deneyimleri filolojik \u00f6rneklerle incelenir.<\/p>\n

            \n
          1. \u0130lk, \u0130kinci, \u00dc\u00e7\u00fcnc\u00fc: S\u0131ra Say\u0131lar\u0131n Tarihsel Yap\u0131s\u0131<\/strong><\/li>\n<\/ol>\n

            En ilki<\/em>, ekinti<\/em>, \u00fc\u00e7\u00fcn\u00e7<\/em> gibi s\u0131ra say\u0131 adlar\u0131n\u0131n k\u00f6keni, il\u2013ki<\/em> yap\u0131s\u0131n\u0131n tarihsel d\u00f6n\u00fc\u015f\u00fcm\u00fc ve g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esindeki -inci<\/em> ekinin ba\u015fka bir d\u00f6neme ait yenile\u015fmi\u015f bi\u00e7im oldu\u011fu tart\u0131\u015f\u0131l\u0131r.<\/p>\n

              \n
            1. Tad\u0131k\u0131n \u00c7orun Boz At\u0131 ve Renk Adlar\u0131<\/strong><\/li>\n<\/ol>\n

              Boz<\/em> donunun tarihsel kullan\u0131m\u0131, Mo\u011folca boro<\/em> bi\u00e7imiyle ili\u015fkisi ve T\u00fcrklerde at renginin k\u00fclt\u00fcrel \u00f6nemi a\u00e7\u0131klan\u0131r; Kazak, K\u0131rg\u0131z ve Tuva toplumlar\u0131nda at\u00e7\u0131l\u0131k bilgisinin korunmu\u015flu\u011fu vurgulan\u0131r.<\/p>\n

                \n
              1. \u0130\u015fvara Yamtar ve Yabanc\u0131 K\u00f6kenli \u0130simler<\/strong><\/li>\n<\/ol>\n

                \u0130\u015fvara<\/em> ad\u0131n\u0131n Sanskrit\u00e7e k\u00f6keni, eski T\u00fcrk y\u00f6netici s\u0131n\u0131f\u0131nda yabanc\u0131 adlar\u0131n yayg\u0131nl\u0131\u011f\u0131, Bumin ve \u0130stemi Ka\u011fan gibi adlar\u0131n k\u00f6ken tart\u0131\u015fmalar\u0131 ve A\u015fina ailesi \u00fczerine Japon ve Bat\u0131l\u0131 ara\u015ft\u0131rmac\u0131lar\u0131n g\u00f6r\u00fc\u015fleri aktar\u0131l\u0131r.<\/p>\n

                  \n
                1. Yiyen Silig Bey ve Kedimlik Toruk At\u0131<\/strong><\/li>\n<\/ol>\n

                  Sil(ig)<\/em> kelimesinin \u201ctemiz\u201d anlam\u0131, \u00e7a\u011fda\u015f K\u0131p\u00e7ak dillerindeki sulug<\/em> bi\u00e7imleriyle ba\u011f\u0131, kedim<\/em>in \u201cz\u0131rh\u201d anlam\u0131 ve Mo\u011folca kecim<\/em> ile ili\u015fkisi; doru at\u0131n toruk\/doruk<\/em> bi\u00e7imleriyle tarihsel ses de\u011fi\u015fmeleri a\u00e7\u0131klan\u0131r.<\/p>\n

                    \n
                  1. K\u00fcltigin\u2019in \u00dc\u00e7 At De\u011fi\u015ftirerek Sava\u015fmas\u0131<\/strong><\/li>\n<\/ol>\n

                    Sava\u015fta pe\u015f pe\u015fe \u00fc\u00e7 at\u0131n \u00f6lmesi, K\u00fcl Tegin\u2019in h\u00fccum g\u00fcc\u00fc, 21 ya\u015f\u0131ndaki asker\u00ee ba\u015far\u0131s\u0131n\u0131n sembolik anlam\u0131 ve sat\u0131rlar\u0131n dramatik anlat\u0131m\u0131 de\u011ferlendirilir.<\/p>\n

                      \n
                    1. Yar\u0131k ve Yalma: Z\u0131rh ve Kaftan Terminolojisi<\/strong><\/li>\n<\/ol>\n

                      Yar\u0131k<\/em>\u0131n z\u0131rh olarak, yalma<\/em>\u0131n kaftan olarak tarihsel ve arkeolojik ba\u011flam\u0131 a\u00e7\u0131klan\u0131r; Mo\u011folistan ve Tuva\u2019n\u0131n iklim ko\u015fullar\u0131n\u0131n uzun kaftan kullan\u0131m\u0131n\u0131 zorunlu k\u0131ld\u0131\u011f\u0131 k\u00fclt\u00fcrel bir arka plan olarak sunulur.<\/p>\n

                        \n
                      1. Artuk ve Urmak Fiillerinin Ses ve Anlam Tarihi<\/strong><\/li>\n<\/ol>\n

                        Artuk<\/em> s\u00f6zc\u00fc\u011f\u00fcn\u00fcn \u201cfazla\u201d anlam\u0131 ve artmak<\/em> fiilinin muhtemelen geriye d\u00f6n\u00fck t\u00fcretme oldu\u011fu; urmak\/vurmak<\/em> fiillerinde O\u011fuzca ile Orta Asya leh\u00e7eleri aras\u0131ndaki farklar ve Eski T\u00fcrk\u00e7edeki temel ses uyumu tart\u0131\u015f\u0131l\u0131r.<\/p>\n

                          \n
                        1. \u201cY\u00fcz Artuk Okun Urdu\u201d \u0130fadesi ve Z\u0131rh\u0131n \u0130\u015flevi<\/strong><\/li>\n<\/ol>\n

                          Y\u00fczlerce okun isabet etmesine ra\u011fmen K\u00fcl Tegin\u2019in y\u00fcz\u00fcne ve ba\u015f\u0131na tek bir okun de\u011fmemesi, z\u0131rh ve kaftan\u0131n koruyucu rol\u00fc ve okun tasviri metindeki dramatik yo\u011funlukla a\u00e7\u0131klan\u0131r.<\/p>\n

                            \n
                          1. \u201cTekd\u00fck\u00fcn T\u00fcrk Beyleri Kop Bilirsiniz\u201d C\u00fcmlesi<\/strong><\/li>\n<\/ol>\n

                            \u0130kinci ki\u015fi \u00e7o\u011ful \u00e7ekimi (bilirsiniz<\/em>) \u00fczerinden Eski T\u00fcrk\u00e7enin \u015fah\u0131s ekleri; tekd\u00fck\u00fcn<\/em> yap\u0131s\u0131n\u0131n isim-fiil niteli\u011fi ve sava\u015f sahnesindeki tan\u0131kl\u0131k vurgusu \u00e7\u00f6z\u00fcmlenir.<\/p>\n

                              \n
                            1. Yir Bay\u0131rkular ve Ulu\u011f Erkin\u2019in D\u00fc\u015fman Olu\u015fu<\/strong><\/li>\n<\/ol>\n

                              Yir Bay\u0131rku ad\u0131n\u0131n muhtemel etnik k\u00f6keni, Yakutlarla ili\u015fkilendirilme ihtimali ve kesin verinin yoklu\u011fu; Ulu\u011f Erkin<\/em>in T\u00fcrk\u00e7e bir ad ta\u015f\u0131d\u0131\u011f\u0131 i\u00e7in toplulu\u011fun T\u00fcrk boyu olabilece\u011fi de\u011ferlendirilir.<\/p>\n

                                \n
                              1. Bozmak\/Buzmak ve Bozguna U\u011fratma Anlat\u0131s\u0131<\/strong><\/li>\n<\/ol>\n

                                Yanmak<\/em> ve buzmak\/bozmak<\/em> fiilleri \u00fczerinden bozguna u\u011fratma anlat\u0131s\u0131; Orta Asya dillerinde u<\/em> \u00fcnl\u00fcs\u00fcn\u00fcn korunmas\u0131 sebebiyle fiilin buzmak<\/em> okunma gerek\u00e7esi tart\u0131\u015f\u0131l\u0131r.<\/p>\n

                                  \n
                                1. Azk\u0131na ve Tezmek: Ka\u00e7\u0131\u015f ve K\u00fc\u00e7\u00fcltme Ekleri<\/strong><\/li>\n<\/ol>\n

                                  Azk\u0131na<\/em> kelimesinin k\u0131na\/kine<\/em> k\u00fc\u00e7\u00fcltme eki \u00fczerinden \u201caz\u0131c\u0131k, az say\u0131da\u201d anlam\u0131; tezmek<\/em> fiilinin \u201cka\u00e7mak\u201d olarak kullan\u0131l\u0131\u015f\u0131 ve Anadolu a\u011f\u0131zlar\u0131yla ba\u011flant\u0131s\u0131 a\u00e7\u0131klan\u0131r.<\/p>\n

                                    \n
                                  1. 26 Ya\u015f\u0131nda K\u0131rg\u0131z Seferi ve Tapa Edat\u0131<\/strong><\/li>\n<\/ol>\n

                                    K\u00fcltegin alt\u0131 otuz ya\u015f\u0131na<\/em> ifadesinin 26 anlam\u0131na geli\u015fi; tapa<\/em> edat\u0131n\u0131n \u201c-e do\u011fru\u201d anlam\u0131ndaki tarihi kullan\u0131m; K\u0131rg\u0131z seferinin siyasi ve co\u011frafi ba\u011flam\u0131 de\u011ferlendirilir.<\/p>\n

                                      \n
                                    1. S\u00fcn\u00fck Bat\u0131m\u0131 ve M\u0131zrak Terminolojisi<\/strong><\/li>\n<\/ol>\n

                                      S\u00fcn\u00fck<\/em> kelimesinin m\u0131zrak anlam\u0131, bat\u0131m<\/em>\u0131n fiilden isim yapt\u0131\u011f\u0131 yap\u0131, s\u00f6k\u00fcben<\/em> zarf-fiili ve Manici-Uygur metinlerinde g\u00f6r\u00fclen eski eklerin kullan\u0131m\u0131 filolojik a\u00e7\u0131dan de\u011ferlendirilir.<\/p>\n

                                        \n
                                      1. K\u00f6kmen Ye\u015fik Toga ve Sayan Da\u011flar\u0131n\u0131 A\u015fmak<\/strong><\/li>\n<\/ol>\n

                                        Sayan da\u011flar\u0131yla ili\u015fkili k\u00f6kmen ye\u015fek\/ye\u015fik<\/em> ifadesi; toga yorup<\/em> yap\u0131s\u0131n\u0131n \u201ca\u015f\u0131p ge\u00e7mek\u201d anlam\u0131; K\u0131rg\u0131zlar\u0131n uykuda bas\u0131lmas\u0131 ve u\/uda<\/em> kelimesinin \u201cuyku\u201d anlam\u0131 a\u00e7\u0131klan\u0131r.<\/p>\n

                                          \n
                                        1. K\u0131rg\u0131z Ka\u011fan\u0131 ile Sona Y\u0131\u015f\u2019ta \u00c7arp\u0131\u015fma<\/strong><\/li>\n<\/ol>\n

                                          Sona Y\u0131\u015f da\u011flar\u0131n\u0131n yer ad\u0131 olarak metindeki rol\u00fc, Kagan\u0131n birine<\/em> ifadesindeki iyelik ekleri ve \u00e7arp\u0131\u015fman\u0131n tarihsel ba\u011flam\u0131 de\u011ferlendirilir.<\/p>\n

                                            \n
                                          1. K\u00fcl Tegin\u2019in Bay\u0131rku Aygar\u0131na Binip H\u00fccum Etmesi<\/strong><\/li>\n<\/ol>\n

                                            Ak adg\u0131r<\/em>\u0131n hayvan rengine \u00f6zg\u00fc \u201cak\u201d s\u0131fat\u0131yla nitelenmesi, \u00fcr\u00fcn<\/em> kelimesinin beyaz\u0131n ba\u015fka bir kullan\u0131m alan\u0131 olmas\u0131 ve ak donun hayvanlar i\u00e7in \u00f6zel bir adland\u0131rma sistemi olu\u015fturmas\u0131 \u00fczerinden a\u00e7\u0131klan\u0131r.<\/p>\n

                                            Sonu\u00e7<\/strong><\/p>\n

                                            Bu seminer, K\u00fcl Tegin yaz\u0131t\u0131ndaki sava\u015f anlat\u0131lar\u0131n\u0131n dilsel katmanlar\u0131n\u0131, s\u0131ra say\u0131 ve say\u0131 sistemlerini, at ve z\u0131rh terminolojisini, yabanc\u0131 k\u00f6kenli adlar\u0131, yer isimlerini, morfolojik eklerin tarihsel geli\u015fimini ve T\u00fcrk boylar\u0131n\u0131n co\u011frafi hareketlili\u011fini ayr\u0131nt\u0131l\u0131 bi\u00e7imde \u00e7\u00f6z\u00fcmler. Metinde ge\u00e7en her fiil, ek ve isim \u00fczerinden d\u00f6nemin siyasi yap\u0131s\u0131, k\u00fclt\u00fcrel zihniyeti ve asker\u00ee gelenekleri daha a\u00e7\u0131k bi\u00e7imde g\u00f6r\u00fcn\u00fcr h\u00e2le gelir.<\/p>\n

                                            \u00a0<\/strong><\/p>\n

                                            Purpose of the Seminar<\/strong><\/p>\n

                                            In this seminar, the section of the K\u00fcl Tegin inscription after line 32 is treated with a detailed philological analysis; the Old Turkic numeral system, verb structures, war terminology, military items such as armor and cloak, kinship terms, directional and place names, Chinese and Sogdian influences, horse coat terms, names of spears and weapons, attack verbs, the historical development of morphological suffixes, and ethnic names of Turkic tribes are evaluated comprehensively.<\/p>\n

                                            Main Themes<\/strong><\/p>\n

                                              \n
                                            1. The Verb An\u00e7olamak and the Debate on Its Origin<\/strong><\/li>\n<\/ol>\n

                                              The verb an\u00e7olamak<\/em> is explained as having its origin in Tang-period Chinese, with its forms in Uygur texts and the point that it should not be confused with an\u00e7olayu<\/em>; its meaning \u201cto present, to offer\u201d is evaluated in detail as a Chinese loan that has been formed with Turkish suffixes.<\/p>\n

                                                \n
                                              1. The Sentence \u201cWe Destroyed That Army There\u201d and the K\u0131\u015fmak\/K\u0131smak Debate<\/strong><\/li>\n<\/ol>\n

                                                The battle-scene verb yok k\u0131\u015fmak<\/em> is interpreted within the framework of some researchers reading it as k\u0131smak<\/em> and the discussion on the \u015e\u2013S distinction in Old Turkic; the sentence Olsuk anta yok k\u0131\u015ft\u0131m\u0131z<\/em> is analyzed linguistically.<\/p>\n

                                                  \n
                                                1. The Old Turkic Numeral System and the Reading 1.30 \u2192 Age 21<\/strong><\/li>\n<\/ol>\n

                                                  The way composite numerals like 1.30 come to mean 21, the way the subtractive decimal system is used when the word artuk<\/em> does not appear, the variability in different inscriptions, and K\u00fcl Tegin\u2019s campaign at age 21 are explained within this numeral system.<\/p>\n

                                                    \n
                                                  1. The War Against \u00c7a\u00e7asan and the Structure of the Verbs<\/strong><\/li>\n<\/ol>\n

                                                    Through the verb s\u00fcm\u00fc\u015fmek<\/em> in the sentence \u00c7a\u00e7asa’n\u0131nke s\u00fcm\u00fc\u015ft\u00fcm\u00fcz<\/em>, war terminology, the appearance of dative-locative suffixes, and young K\u00fcl Tegin\u2019s first campaign experience are examined with philological examples.<\/p>\n

                                                      \n
                                                    1. First, Second, Third: The Historical Structure of Ordinal Numbers<\/strong><\/li>\n<\/ol>\n

                                                      The origins of ordinal numbers such as en ilki<\/em>, ekinti<\/em>, \u00fc\u00e7\u00fcn\u00e7<\/em> are discussed; the historical transformation of the il\u2013ki<\/em> structure and the fact that today\u2019s -inci<\/em> suffix belongs to a different period as a renewed form are addressed.<\/p>\n

                                                        \n
                                                      1. Tad\u0131k\u0131n \u00c7or\u2019s Dappled Horse and Color Terms<\/strong><\/li>\n<\/ol>\n

                                                        The historical use of the coat boz<\/em>, its relation to Mongolian boro<\/em>, and the cultural importance of horse color among the Turks are explained; the preservation of equestrian knowledge among Kazakh, Kyrgyz, and Tuva peoples is emphasized.<\/p>\n

                                                          \n
                                                        1. \u0130\u015fvara Yamtar and Foreign-Origin Names<\/strong><\/li>\n<\/ol>\n

                                                          The Sanskrit origin of the name \u0130\u015fvara<\/em>, the prevalence of foreign names in the old Turkic ruling class, the discussion on the origins of names like Bumin and \u0130stemi Ka\u011fan, and views of Japanese and Western researchers on the A\u0161ina family are presented.<\/p>\n

                                                            \n
                                                          1. Yiyen Silig Bey and the Kedimlik Toruk Horse<\/strong><\/li>\n<\/ol>\n

                                                            The word sil(ig)<\/em> meaning \u201cclean,\u201d its connection with sulug<\/em> forms in contemporary Kipchak languages, kedim<\/em> meaning \u201carmor\u201d and its relation to Mongolian kecim<\/em>; and the historical sound changes in toruk\/doruk<\/em> forms for the bay\/dun horse are explained.<\/p>\n

                                                              \n
                                                            1. K\u00fcl Tegin Fighting by Changing Three Horses<\/strong><\/li>\n<\/ol>\n

                                                              The fact that three horses died in succession in battle, K\u00fcl Tegin\u2019s power of assault, the symbolic meaning of his military achievement at age 21, and the dramatic narration of the lines are evaluated.<\/p>\n

                                                                \n
                                                              1. Yar\u0131k and Yalma: Terminology of Armor and Cloak<\/strong><\/li>\n<\/ol>\n

                                                                The historical and archaeological context of yar\u0131k<\/em> as armor and yalma<\/em> as cloak is explained; the climatic conditions of Mongolia and Tuva are presented as a cultural background that makes the use of long cloaks necessary.<\/p>\n

                                                                  \n
                                                                1. The Sound and Semantic History of Artuk and Urmak<\/strong><\/li>\n<\/ol>\n

                                                                  The word artuk<\/em> in the sense of \u201cexcess, more\u201d and the idea that the verb artmak<\/em> is probably a back-formation; the differences between Anatolian Turkish and Central Asian dialects in the verbs urmak\/vurmak<\/em>, and the basic sound harmony in Old Turkic, are discussed.<\/p>\n

                                                                    \n
                                                                  1. The Expression \u201cA Hundred and More Arrows Struck\u201d and the Function of Armor<\/strong><\/li>\n<\/ol>\n

                                                                    The fact that although hundreds of arrows struck, not a single arrow hit K\u00fcl Tegin\u2019s face or head, the protective role of armor and cloak, and the depiction of the arrow are explained with the dramatic intensity present in the text.<\/p>\n

                                                                      \n
                                                                    1. The Sentence \u201cYou All Know, O T\u00fcrk Lords Present There\u201d<\/strong><\/li>\n<\/ol>\n

                                                                      Through the second-person plural form (bilirsiniz<\/em>), the person suffixes of Old Turkic are discussed; the nominal-verb nature of the structure tekd\u00fck\u00fcn<\/em> and the emphasis on eyewitnessing in the battle scene are analyzed.<\/p>\n

                                                                        \n
                                                                      1. Yir Bay\u0131rkular and the Enmity of Ulu\u011f Erkin<\/strong><\/li>\n<\/ol>\n

                                                                        The possible ethnic origin of the name Yir Bay\u0131rku, its tentative association with the Yakuts and the lack of definite evidence; and the evaluation that Ulu\u011f Erkin<\/em> may show this community to be a Turkic tribe because he bears a Turkic name, are presented.<\/p>\n

                                                                          \n
                                                                        1. Azk\u0131na and Tezmek: Flight and Diminutive Suffixes<\/strong><\/li>\n<\/ol>\n

                                                                          The word azk\u0131na<\/em> is explained as having the meaning \u201ca little, small in number\u201d through the diminutive suffix -k\u0131na\/-kine<\/em>; the verb tezmek<\/em> used in the sense \u201cto flee\u201d and its connection with Anatolian dialects is clarified.<\/p>\n

                                                                            \n
                                                                          1. The K\u0131rg\u0131z Campaign at Age 26 and the Postposition Tapa<\/strong><\/li>\n<\/ol>\n

                                                                            The expression K\u00fcltegin alt\u0131 otuz ya\u015f\u0131na<\/em> is shown to mean 26; the historical use of tapa<\/em> in the sense \u201ctowards\u201d is discussed; the political and geographical context of the K\u0131rg\u0131z campaign is evaluated.<\/p>\n

                                                                              \n
                                                                            1. S\u00fcn\u00fck Bat\u0131m\u0131 and Spear Terminology<\/strong><\/li>\n<\/ol>\n

                                                                              The word s\u00fcn\u00fck<\/em> meaning \u201cspear,\u201d the structure of bat\u0131m<\/em> as a noun-forming element from the verb, the converb s\u00f6k\u00fcben<\/em>, and the use of old suffixes found in Manichaean\u2013Uygur texts are evaluated philologically.<\/p>\n

                                                                                \n
                                                                              1. K\u00f6kmen Ye\u015fik Toga and Crossing the Sayan Mountains<\/strong><\/li>\n<\/ol>\n

                                                                                The expression k\u00f6kmen ye\u015fek\/ye\u015fik<\/em> in connection with the Sayan Mountains, the structure toga yorup<\/em> meaning \u201ccrossing over,\u201d the K\u0131rg\u0131z being attacked in their sleep, and the word u\/uda<\/em> meaning \u201csleep\u201d are explained.<\/p>\n

                                                                                  \n
                                                                                1. The Battle with the K\u0131rg\u0131z Khagan at Sona Y\u0131\u015f<\/strong><\/li>\n<\/ol>\n

                                                                                  The role of Sona Y\u0131\u015f mountains as a place-name in the text, the possessive suffixes in the expression Kagan\u0131n birine<\/em>, and the historical context of the battle are evaluated.<\/p>\n

                                                                                    \n
                                                                                  1. K\u00fcl Tegin Mounting the Bay\u0131rku Stallion and Attacking<\/strong><\/li>\n<\/ol>\n

                                                                                    The description of ak adg\u0131r<\/em> (white stallion) with the specific adjective ak<\/em> for animal color, and the explanation that \u00fcr\u00fcn<\/em> is another lexical area of \u201cwhite,\u201d forming a special naming system for animals, are presented.<\/p>\n

                                                                                    Conclusion<\/strong><\/p>\n

                                                                                    This seminar analyzes in detail the linguistic layers of war narratives, ordinal and cardinal numeral systems, horse and armor terminology, foreign-origin names, place names, the historical development of morphological suffixes, and the geographical mobility of Turkic tribes in the K\u00fcl Tegin inscription. Through each verb, suffix, and noun found in the text, the political structure, cultural mentality, and military traditions of the period become more clearly visible.<\/p>\n

                                                                                     <\/p>\n","protected":false},"excerpt":{"rendered":"

                                                                                    MEHMET \u00d6LMEZ, K\u00d6K T\u00dcRK YAZITLARI: K\u00dcL T\u0130G\u0130N OKUMALARI 15. SEM\u0130NER […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8706","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/8706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/comments?post=8706"}],"version-history":[{"count":1,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/8706\/revisions"}],"predecessor-version":[{"id":8707,"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/pages\/8706\/revisions\/8707"}],"wp:attachment":[{"href":"https:\/\/klasikdusunceokulu.com\/index.php\/wp-json\/wp\/v2\/media?parent=8706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}